1.5M ratings
277k ratings

See, that’s what the app is perfect for.

Sounds perfect Wahhhh, I don’t wanna
idea-obscura
artruby

Tommy Grace, Faccum (2009) & Zzriliquat (2010). 

Source: artruby

More you might like

megustap3-blog-deactivated20180
p3p510

James Bond: 50 Years of Main Title Design from Art of the Title on Vimeo.

A retrospective celebrating 50 years of James Bond main titles, created to accommodate our feature article.

- artofthetitle.com/feature/james-bond-50-years-of-main-title-design

Website: artofthetitle.com
Twitter: twitter.com/ArtoftheTitle
Facebook: facebook.com/ArtoftheTitle

Editor: Ian Albinson (albinsondesign.com)

Music: Adele “Skyfall”

++++++++++

Full film listing:

Dr. No (1962)
From Russia With Love (1963)
Goldfinger (1964)
Thunderball (1965)
You Only Live Twice (1967)
On Her Majesty’s Secret Service (1969)
Diamonds Are Forever (1971)
Live and Let Die (1973)
The Man with the Golden Gun (1974)
The Spy Who Loved Me (1977)
Moonraker (1979)
For Your Eyes Only (1981)
Octopussy (1983)
A View to a Kill (1985)
The Living Daylights (1987)
Licence to Kill (1989)
GoldenEye (1995)
Tomorrow Never Dies (1997)
The World is Not Enough (1999)
Die Another Day (2002)
Casino Royale (2006)
Quantum of Solace (2008)
Skyfall (2012)

tarawrz

If you love james bond you will love this! 

design main titles media 4d james bond 50 years art of title
escapekit
escapekit

Jessica Walsh - Like Knows Like

Short and personal documentary about Jessica Walsh who is a designer, art director and illustrator working in New York City. She is a partner at design studio Sagmeister & Walsh and teaches at the School of Visual Arts. Her work has won numerous design awards. Recently, Warner Bros. has acquired the film rights of her viral side-project called “40 Days Of Dating”

I love her work and her, just saying. 

Jessica Walsh design
designdiggity

Interview about being a Design student.

  • Stacy: Looking over the past few years, what would you say is the most important lesson you've learned about being a graphic designer?
  • Tara: I tend to just do design and not think about other parts of it, so I would say to never forget about the smaller details & spellcheck!
  • Stacy: What would best describe how you arrived at the decision that graphic design was a good fit for your future?
  • Tara: After realizing the potential of what graphic design could do for people in our society with no funds to hire a designer or ways to produce a voice for themselves.
  • Stacy: What about your past led you to this decision? Was there a defining moment? Are your parents supportive?
  • Tara: My past was a struggle, & seeing others struggle and being unable to help them probably has lead me to have this mindset of trying to find a solution to someone else's problem instead of dealing with my own. The moment came when I tried to eagerly express my opinions about LGBTQ issues & I quickly found out visually explaining opinions was better than writing monologues. I was a pre-pharmacy major but reading textbooks wasn't going to change the world. My dad wanted me to switch to architecture. He's supportive with the funds he gives me to do projects, however he's never seen my work. My mom never knew I switched out of pharmacy until this year and criticizes everything I do, in broken english.
  • Stacey: What goals have you set for yourself as a graphic designer? Where do you see yourself in 10 years and what medium? (print, web, interactive...etc.)
  • Tara: Not very many, to keep trying and to get better at typography. Within 10 years, I hope to be in the Bay Area working with an interactive design agency…at the same time though I may become a traveling photographer.
  • Stacey: What do you think the 'real world' will be like as a graphic designer?
  • Tara: Scary, I hear no matter where you go, the wage is the same. If I live in the Bay Area, everyone will make more money than me.
  • Stacey: What about your design process makes you most self-conscious?
  • Tara: Kinda everything about it, I'm not very confident in my work
  • Stacey: Do you look at your peers as supportive of you, or do you consider them competition? Do you take their opinion of your designs into consideration at all?
  • Tara: As competitive as I am, I've never thought of them as competitors since we all come from different backgrounds and dip in different mediums, I definitely think of them as supportive & i always appreciate feedback and try to apply it to my design.
  • Stacey: Do you prefer collaborative work, or independent study? Why?
  • Tara: I'm super independent, but love collaborative work. It can make the process easier and could be more fun having someone sharing the same design pain as you.
  • Stacey: What designers do you admire most and why?
  • Tara: I love a lot of designers and don't have particular favorites because I enjoy looking at the projects more. If I had to choose one, I'd say Bruce Mau because one of my favorite books is "Glimmer".
  • Stacey: What do you think the public perception of 'graphic design' is? How do you explain what we learn at UT to that public?
  • Tara: The public's perception is that it is easy, anyone can do it, and they think its more of a business aid tool. It would hopefully be best to throw the public into an intensive workshop, with no sleep, rather than explain what we do.
  • Stacey: How much do you think a freelance graphic designer should charge hourly?
  • Tara: A Nashville designer once told me over coffee, around $35 for starting, around $70 once you get some years of experience. I currently do only $15, sadly.
  • Stacey: Do you think your portfolio is strong? What area is the strongest?
  • Tara: I guess my portfolio is and has brought me some interesting luck and great internships. I think most people have been drawn to my interactive solutions to existing/out-of-date information that could really be implemented someday. I'd like to say its the conceptual part that gets across more, not the execution part because I think most of my work could still be redone.
  • Stacey: As per our conversation on the reading 'Tools' today, do you feel that graphic design makes things 'prettier' for the masses to consume, or do you think there is real value in something that is well designed?
  • Tara: Yes we have the tendency to make pretty things, just as much as photographers take pretty photos for instagram or writers make pretty quotes for tumblr. There is definitely value into well-designed work, but I feel with social media most of the work isn't there for people to experience and social media has an underground feeling of it being "to take a break".
  • Stacey: What has been your favorite project so far in your college career? Is this the project you are most proud of?
  • Tara: Hands-down the Muslim flashcards project. I've never done another project that took a lot of research and time. I went to a mosque, learned about Islam, and met wonderful people.
  • Stacey: Do you think that every design should have underlying 'smartness' or a conceptual design behind it?
  • Tara: No matter what, a concept is always there. If we are excluding the social media part then design should have some sort of concept for it to be successful and accepted by the audiences.
design student tips

The dating life in New York City can grow tiresome and wearing. Two good friends with opposite relationship problems found themselves single at the same time. Tim is afraid of commitment, often dating many girls at once, and he’s losing sight of what a healthy relationship means. Jessica is a hopeless romantic, jumping into relationships too quickly, always looking to find “the one.”

It’s been said that it takes 40 days to change a bad habit. In an attempt to explore and hopefully overcome their fears and inadequacies, Tim and Jessica will go through the motions of a relationship for the next 40 days: the commitment, time, companionship, joys and frustrations. Can they help each other, or will they fall into their same habits? Will they damage their friendship? What if they fall in love?

fortydaysofdating.com

Day 40 video. Sad it ended, but intriguing these graphic designers drew in lots of media with their experiment. 

What does it even mean to love someone? It seems almost impossible to universally define such a complex state of mind since we all experience life so uniquely. I guess love is something you just have to experience and define for yourself. On a whole, I’ve experienced it as being committed to someone I am passionately interested in. Someone who helps me discover aspects of myself I didn’t see before and for whom I can do the same. Someone I trust, respect, and share experiences with. Someone I can be my kind of weird with.

I know I can be very happy on my own, but life has always been even more awesome when there’s someone great to share it with. - Jessica Walsh

design graphic design performance art art 40 days of dating forty days of dating jessica walsh timothy goodman
theplaqueproject.tarainahalfshell.com

"Domestic Violence" became my design thesis this semester/photography independent study

Looking for participants, people to interview, email conversations, experts in the field of domestic violence, friends of friends, classmates, etc who either want to be part of the photography/plaque project or just help out a fellow design student gathering research. 

domestic violence ipv intimate partner violence knoxville utk design psychology mywork
See this in the app Show more